年仅八岁的泰勒（坦纳·马奎尔 Tanner Maguire 饰）不幸患上了癌症，而幸运的是，他对上帝虔诚和真挚的信仰让他幼小的心灵得到了救赎。泰勒最大的乐趣就是给上帝写信，一封封笔迹幼稚的信里透露出的是对生命的热爱。这些热情洋溢的信统统的被传递到了布拉迪（杰弗里·约翰逊 Jeffrey Johnson 饰）的手上，身为一名邮递员，他知道泰勒的信将永远无法寄出。 　　最近，布拉迪的人生走入了死胡同，周围的一切都让他感到无能为力。没想到，在读了泰勒写给上帝的信后，布拉迪却神奇的获得了自信和感动。布拉迪找到了泰勒的家人并和他们成为了朋友，他决心要帮助泰勒实现他的梦想，与此同时，布拉迪也找到了属于自己的人生信仰。

泰勒·多赫迪（坦纳·马奎尔饰）是个普普通通的八岁男孩儿，有着幸福的家庭和良好的生活和学习环境。但小小年纪的他却因癌症不幸降临而在每个短暂而漫长…

《给青年的信》以书信为载体，聚焦新征程青年奋斗场景，讲述各行各业的青年代表在新时代与党和国家一起经历的进步与变化。

父亲（荒川大三郎 配音）因故身亡，就读于小学六年级的宫浦桃子（美山加恋 配音）不得不和母亲郁子（优香 配音）离开喧嚣的大都会东京，前往位于海峡附近的港口城市汐岛居住。此前，桃子曾无数次与父亲争吵，甚至父亲死后都没能很好地告别。在父亲留给她的遗物中，有一封专门写给她但始终未完成的信。曾经年幼无知任性无情的话语让桃子追悔莫及，她无法接受父亲遽然离世的事实，也无法适应和融入岛上的生活。        另一方面，郁子为了女儿每天都很努力的工作，可是她和桃子之间还时不时爆发争吵。最终，郁子体力不支病倒在床。正当桃子分外苦闷之际，三只妖怪阿岩（西田敏行 配音）、阿川（山寺宏一 配音）、小豆（长岛茂 配音）突然闯入她的家中。妖怪们喋喋不休。食欲旺盛，任凭桃子如何努力也无法将他们赶走。似乎，他们的到来肩负着某个重要的使命……

A Feature documentary on the late Elia Kazan. 　　Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Crowd," "America, America," and "The Last Tycoon," and interview footage of the director himself, co-directors Scorsese and Kent Jones recount the director's tumultuous journey from the Group Theatre to the Hollywood A-list to the thicket of the blacklist. But most of all, they make a powerful case for Kazan as a profoundly personal artist working in a famously impersonal industry.

In 1981, after the presidential elections in France, and the arrival of the french socialists in gouvernement, the french TV asks to Godard to make a movie about the idea of change. 　　Godard, finally, made a short movie in which he explains that , between images and power, or politic, there's always some manipulation. 　　Godard compares himself as a french resistant during the WWII, tortured by Gestapo, suffering of lack of freedom with the actual TV. 　　A great short.

In 1981, after the presidential elections in France, and the arrival of the french socialists in gouvernement, the french TV asks to Godard to make a movie about the idea of change. 　　Godard, finally, made a short movie in which he explains that , between images and power, or politic, there's always some manipulation. 　　Godard compares himself as a french resistant during the WWII, tortured by Gestapo, suffering of lack of freedom with the actual TV. 　　A great short.

外卖速递员阿峰，元祖级「日光族」。一次，阿峰送外卖到共享工作空间BnW，重遇中学同学兼太子女庄嘉欣，出于自卑心作祟，阿峰刻意回避嘉欣。某夜，嘉欣醉倒，更抢去阿峰的单车，还勾起他那些年的电单车环岛梦……阿峰租住的劏房被收回，辗转迁入BnW，这里云集了KOL贤仔、大学生Yuki等不同经历的年轻人围炉取暖。嘉欣努力唤醒阿峰追梦，但阿峰躺平不愿醒，令嘉欣心碎离开。世界依然在转，阿峰可会继续原地踏步？

A contemplation of the New Soviet Man runs head-first into a romantic comedy with music in this film from the Soviet Union, which was highly controversial upon initial release. Dr. Stepanov (Yuri Yurev) is a well-known and gifted surgeon whose talent is matched only by his arrogance; he constantly bosses around his assistant, Fydor (Maksim Straukh), and his wife, Masha (Olga Zhizneva). Masha is beautiful and a great deal more charming than her husband, and she soon attracts the attentions of Grisha Fokin (Dmitri Dorliak), a young man who is quite infatuated with her. As Grisha pursues Masha, the characters debate the role of free love and free will within the Soviet social and political economy, as well as the juncture of the body and the mind. Strogiy Yunosha ran into considerable oposition from government censors once it was completed, and was banned by Soviet authorities after only two months of release, which led to director Abram Room's banishment from Ukrainfilm Studio. The film was later revived as part of the retrospective "Another History Of Soviet Films 1926-1968," which was presented at the 53rd Locarno Film Festival in August, 2000. ~ Mark Deming, All Movie Guide

马被卡车拉走，有些青年还在街上。刘管国为了女人服毒自杀，临死时他说：“我还什么都没干呢！”。汪国庆为了友谊而遍体鳞伤，死在医院。张铁英没有钱就失去了胆量，只有挣到钱才有勇气去见喜欢的姑娘。刘管国弟弟刘管富偶尔会想念死去的哥哥，而更珍惜自己的生命，他知道：“死了就什么都没有了”。 　　影片以三个悲剧段落作为小结尾，但过程是喜剧化的。是一部充满生活质感的悲喜剧。以黑色幽默的方式呈现出他们的生活状态和个人欲望。 　　中国、当下。在我的家乡黑龙江省鹤岗，人们因为工厂裁员和煤矿危险而奔走他乡，有更多人因为留恋家人和没有勇气去面对陌生的世界而留在那里，日复一日地重复着他们的生活。